Tarek Lakhrissi, Coeur Brillant, 2023, video. Courtesy of the artist and gallery Allen, Paris

Tarek Lakhrissi, Spiraling, 2021, video. Courtesy of the artist and gallery Allen, Paris

Lynn Hershman Leeson, Deep Contact, 1984. Interactive videodisk installation. Video still. Courtesy of the artist.

Akeem Smith, Social Cohesiveness, 2020, three-channel video installation, 32′53″, color, sound. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Akeem Smith, Social Cohesiveness, 2020, three-channel video installation, 32′53″, color, sound. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Julien Creuzet, installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Pipilotti Rist, (Entlastungen) Pipilottis Fehler, 1988, video, 11′10″, color, sound. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Sondra Perry, Double Quadruple Etcetera Etcetera I & II, 2013, two-channel video installation, 9′, color, no sound. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Left: Sondra Perry, Double Quadruple Etcetera Etcetera I & II, 2013, two-channel video installation, 9′, color, no sound. Right: Mame-Diarra Niang, Qui doit être vu, 2021, photograph; archival pigment print on cotton paper, 100 x 100 cm. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

P. Staff, Pure Means, 2021, Two-channel HD video, 4′37″, color, sound. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Pipilotti Rist, (Entlastungen) Pipilottis Fehler, 1988, video, 11′10″, color, sound. Video still. Courtesy of the artist and Electronic Arts Intermix, New York. 

P. Staff, Pure Means, 2021, Two-channel HD video, 4′37″, color, sound. Video still. Courtesy of the artist and Commonwealth and Council.

Vaginal Davis, The White to be Angry, 1999, digitized video, 19′22″, b/w, sound. Video still. Courtesy the artist and Galerie Isabella Bortolozzi, Berlin.

Howardena Pindell, Free, White and 21, 1980, U-matic video, 12′15″, color, sound. Video still. Courtesy of the artist and Garth Greenan Gallery, New York.

mandla & Graham Clayton-Chance, as british as a watermelon, 2019, HD video, 28′30″, color, sound. Video still. Courtesy of the artists. 

Julien Creuzet, Sonjé Yo ? Rappelle-toi d’eux ? En Créole, propose un au-delà aux blessure toujours actuelles de l’histoire coloniale. Non pour les oublier mais pour pallier les manques dont elles sont porteuses, 2023, 4K video animation, 13′30″, color, sound. Video still. Courtesy of the artist and High Art. 

Akeem Smith, Social Cohesiveness, 2020, three-channel video installation, 32′53″, color, sound. Score: Ashland Mines. Video still. Courtesy of the artist and Heidi gallery. 

Sondra Perry, Double Quadruple Etcetera Etcetera I & II, 2013, two-channel video installation, 9′, color, no sound. Performers: Danny Giles, Joiri Minaya. Video still. Courtesy of the artist and Bridget Donahue.

Peter Campus, Three Transitions, 1973, video, 4′53″, color, sound. Video still. Courtesy of the artist and Cristin Tierney, New York.

VALIE EXPORT, Körperkonfiguration, 1982, photograph; silver gelatin print, 119.5 × 180 cm. © VG Bild-Kunst, Bonn 2023. Courtesy of the artist and Charim Galerie, Wien. 

Patty Chang, Shaved (At A Loss), 1998, video, 5′19″, color, sound. Video still. Courtesy of the artist. 

Pope.L, A.T.M. Piece, 1997, video, 1′52″, color, sound. Video still. Courtesy of the artist and Mitchell Innes & Nash, New York. 

Young-jun Tak, Of All Seasons, 2023, Skulptur; patinierte Bronze, rostiges Metall, 22,5 x 11,5 x 10 cm. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Young-jun Tak, Wish You a Lovely Sunday, 2021, video, 18’38’’, color, sound. Installation view, UNBOUND, JSF Berlin. Photo: Alwin Lay.

Young-jun Tak, Wish You a Lovely Sunday, 2021, video, 18’38’’, color, sound. Video still. Courtesy of the artist.

Young-jun Tak, Wohin?, 2022, video, 8’25’’, color, sound. Video still. Courtesy of the artist.

Dominique Gonzalez-Foerster, Ann Lee in Anzen Zone, 2000, video, 3′25′′, color, sound. Courtesy of the artist and Esther Schipper, Berlin/Paris/Seoul. 

Neïl Beloufa & EBB, Screen Talk & Host C – trying to reach out to its audience, 2021, interaktive Installation, unbegrenzte Dauer, Farbe, Ton. Courtesy of the artist.

From left to right: LaTurbo Avedon, Permanent Sunset, 2020–ongoing, video, 6′13′′, color, sound. Pierre Huyghe, Two Minutes out of Time, 2000, animation film, 4′, color, sound. Gabriel Massan, THIRD WORLD: THE BOTTOM DIMENSION, 2022–ongoing, 4K video, color, no sound, loop; video game, infinite duration, color, no sound. Transmoderna, Terraforming (CIR), 2022, virtual reality installation, 8′, color, sound. Installation view, WORLDBUILDING, JSC Düsseldorf. Photo: Simon Vogel, Cologne.

Jacolby Satterwhite, We Are In Hell When We Hurt Each Other, 2020, HD video and virtual reality installation, 24′22″, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

Lawrence Lek, Nepenthe Zone, 2022, open world video game, infinite duration, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

Keiken, PLAYER OF COSMIC REALMS, 2022, interactive installation, infinite duration, color, sound, dimensions variable. Consisting of: Keiken, The Life Game, 2021, multiscreen game, infinite duration, color, sound; Keiken, Bet(a) Bodies, 2021–2022, wearable haptic womb, digital audio, 9′12″, sound, silicone, LED light, mini computer, haptics, amp. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

Rindon Johnson, May the moon meet us apart, may the sun meet us together, 2021, virtual reality video game, infinite duration, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

Kim Heecheon, Sleigh Ride Chill, 2016, HD video, 17′27″, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

Harun Farocki, Serious Games I: Watson is Down, 2009–2010, video, 8′, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

From left to right: Cory Arcangel, Space Invader, 2004, video game, infinite duration, color, sound, hacked Space Invader Cartridge, Atari 2600 video game system, artist software (coded by Alex Galloway), dimensions variable. Sturtevant, Pacman, 2012, video, 1′15″, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

Rebecca Allen, The Bush Soul #3, 1999, interactive software installation, infinite duration, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay, Cologne.

Danielle Brathwaite-Shirley, SHE KEEPS ME DAMN ALIVE, 2021, Unity-Game installation, infinite duration, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

Danielle Brathwaite-Shirley, SHE KEEPS ME DAMN ALIVE, 2021, Unity-Game installation, infinite duration, color, sound; DECISION MAKER, 2021, Unity-Game installation controller. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

Ian Cheng, BOB (Bag of Beliefs), 2018–2019, artificial lifeform, infinite duration, color, sound, dimensions variable. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

Basmah Felemban, The Jirry Tribe Stop, 2021, video game, infinite duration, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

Theo Triantafyllidis, Pastoral, 2019, video game, infinite duration, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

LuYang, The Great Adventure of Material World, 2019, video game and 3-channel video installation, 26′22″, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

LuYang, The Great Adventure of Material World, 2019, video game and 3-channel video installation, 26′22″, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

Ed Atkins, Even Pricks, 2013, HD video, 7′32″, color, sound. Installation view, WORLDBUILDING, JSF Düsseldorf. Photo: Alwin Lay.

David OReilly, Everything, 2017, video game, infinite duration, color, sound. Courtesy of the artist and YveYANG Gallery, New York.

Sahej Rahal, Anhad, 2023, audio reactive AI simulation, infinite duration, color, sound. Voiced by Niyati Upadhya. Courtesy of the artist, JUNGE AKADEMIE AdK, Berlin, and Chatterjee & Lal, Mumbai.

Afrah Shafiq, Nobody Knows For Certain, 2023, video game installation, infinite duration, color, sound. Courtesy of the artist. Supported by Garage Museum of Contemporary Art, Moscow.

Koo Jeong A, CHAMNAWANA (true me & i), 2018, animation film, 3′, black/white, no sound. Courtesy of the artist.

Porpentine Charity Heartscape, almanac of girlswampwar territory & the _girls who swim as fertilizer through the warm soil cloaking the roots of the glorious tree of eugenics (giving birth to a black hole in a walmart parking lot at 1am), 2018, video game, infinite duration, color, sound. Courtesy of the artist. Music by Ash Nerve, Lauren Bousfield, Rook, and Esper99. Additional programming by Laevos. Supported by Yerba Buena Center for the art.

Ericka Beckman, Hiatus, 1999/2015, two-channel film installation, 16mm film transferred to HD video, 22′, color, sound. Courtesy of the artist.

Pierre Huyghe, Two Minutes out of Time, 2000, animation film, 4′, color, sound. Courtesy of the artist and Esther Schipper, Berlin/Paris/Seoul. 

LaTurbo Avedon, Permanent Sunset, 2020–ongoing, video, 6′13″, color, sound. Video still. Courtesy of the artist.

Jakob Kudsk Steensen, RE-ANIMATED, 2018, video, 24′, color, sound; virtual reality installation, 15′, color, sound. Courtesy of the artist. 

Sarah Friend, Eve and the Interface, 2021, video, 6’12“, color, sound. Courtesy of the artist and Galerie Nagel Draxler, Berlin / Cologne / Munich. 

Keiken, PLAYER OF COSMIC REALMS, 2022, interactive installation, infinite duration, color, sound, dimensions variable. Consisting of: Keiken, The Life Game, 2021, multiscreen game, infinite duration, color, sound. Keiken, Bet(a) Bodies, 2021–2022, wearable haptic womb, digital audio, 9’12“, sound, silicone, LED light, mini computer, haptics, amp. Courtesy of the artists. 

Angela Washko, The Council on Gender Sensitivity and Behavioral Awareness in World of Warcraft, 2012–2016, video game intervention/performance, color, sound. Courtesy of the artist. 

Harun Farocki, Serious Games I: Watson is Down, 2009–2010, video, 8′, color, sound. Courtesy of Harun Farocki Filmproduction, 2022. 

The Institute of Queer Ecology, H.O.R.I.Z.O.N. (Habitat One: Regenerative Interactive Zone of Nurture), 2021, videogame, infiniteduration, color, sound. Courtesy of the artists. Concept & Production: Nicolas Baird, Raphaëlle Cormier, Ceci Moss, Lee Pivnik, Jake Sillen; 3D Modelling & Sound Design: Valerie Caputo; Soundtrack: Mechatok. Commissioned by the Solomon R. Guggenheim Museum, New York, as a form of public programming for Countryside, The Future. 

Transmoderna, Terraforming CIR, 2022, virtual reality installation, 8′, color, sound. Courtesy of Transmoderna. In collaboration with Sofia Crespo, Feileacan McCormick, Moisés Horta, Alan Ixba, and Gabriel Massan. 

Suzanne Treister, No Other Symptoms—Time Travelling with Rosalind Brodsky, 1995–1999, -ROM computer game, infinite duration, color, sound. Courtesy of the artist, Annely Juda Dine Art, London, and P.P.O.W. Gallery, New York. 

Jacolby Satterwhite, We Are In Hell When We Hurt Each Other, 2020, video and virtual reality installation, 24’22“, color, sound. Courtesy of the artist and Mitchell-Innes & Nash, New York. 

Sondra Perry, IT’S IN THE GAME ’17, 2017, HD video, 16’20“, color, sound. Courtesy of the artist, Bridget Donahue, New York, and Electronic Arts Intermix (EAI), New York. 

LuYang, The Great Adventure of Material World, 2019, video game and 3-channel video installation, 26’22“, color, sound. Courtesy of the artist and Société, Berlin. 

Lawrence Lek, Nepenthe Zone, 2022, open-world video game, infinite duration, color, sound; video, 21’, color, sound. Courtesy of the artist and Sadie Coles, London. Commissioned for 34th Ljubljana Biennale of Graphic Arts. 

JODI, Untitled Game. Modifications of Video Game (Quake 1), 1998–2001, video game, unitled-game.org, infinite duration, color, sound. Courtesy of the artists. 

Kim Heecheon, Sleigh Ride Chill, 2016, HD video, 17’27“, color, sound. Courtesy of the artist. 

Ed Fornieles, Falling, 2015, HD video, 3’03“, color, sound. Courtesy of the artist and Cabinet, London. 

Rebecca Allen, The Bush Soul #3, 1999, interactive software installation, infinite duration, color, sound. Courtesy of the artist and ZELDA. 

Peggy Ahwesh, She Puppet, 2001, video, 15′, color, sound. Video still. Courtesy of the artist and Electronic Arts Intermix (EAI), New York.

Meriem Bennani, Party on the CAPS, 2018, video, 25′28″, color, sound. Video still. Courtesy of the artist, BIM 2018 and C L E A R I N G, New York/Brussels.

Ian Cheng, BOB (Bag of Beliefs), 2018–2019, artificial lifeform, infinite duration, color, sound, dimensions variable. Video still. Courtesy of the artist, Gladstone Gallery, New York/Brussels/Seoul/Los Angeles and Pilar Corrias, London.

Frances Stark, My Best Thing, 2011, video, 99′17″, color, sound. Video still. Courtesy of the artist and Gladstone Gallery, Brussels/New York.

Ed Atkins, Even Pricks, 2013, HD video, 7′32″, color, sound. Video still. Courtesy of the artist and Cabinet, London.

Cao Fei, i.Mirror by China Tracy (AKA: Cao Fei), 2007, video, 28′, color, sound. Video still. Courtesy of the artist and Creative Vitamine Space, Guangzhou.

Hans Ulrich Obrist, Photo: Lukas Wassmann.

Sahej Rahal, Photo: Reece Straw.

David OReilly, Photo: Courtesy of the artist.

Afrah Shafiq, Photo: Anna Fox, Courtesy of the artist.

Koo Jeong A, Photo: Courtesy of the artist.

Porpentine Charity Heartscape, Photo: Courtesy of the artist.

Pierre Huyghe, Photo: Ola Rindal

Ericka Beckman, Photo: Courtesy of the artist.

Larry Achiampong, Photo: Roger Sinek.

David Blandy, Photo: Claire Barrett.

Peggy Ahwesh, Photo: Paul Samuel White.

Rebecca Allen, Photo: Linda Law.

Cory Arcangel, Photo: Tim Barber.

LaTurbo Avedon, Photo: Courtesy of the artist.

Meriem Bennani, Photo: Sunny Shokrae.

Danielle Brathwaite-Shirley, Photo: Courtesy of the artist.

Cao Fei, Photo: Jin Jiaji.

Ian Cheng, Photo: Courtesy of the artist, Gladstone Gallery, Pilar Corrias, London, and Standard (Olso), Oslo.

Harun Farocki, Photo: Markus J. Feger 2009.

Basmah Felemban, Photo: Jalil Felemban.

Ed Fornieles, Photo: Courtesy of the artist.

Sarah Friend, Photo: Finlay Paterson.

Rindon Johnson, Photo: Sophronia Cook.

Keiken, Photo: Callum Leo Hughes.

Kim Heecheon, Photo: Sangtae Kim.

Lawrence Lek, Photo: Ilyes Griyeb. © Art Basel

LuYang, Photo: Courtesy of the artist.

Gabriel Massan, Photo: Marina Vieira.

Sondra Perry, Photo: Courtesy of the artist.

Jacolby Satterwhite, Photo: Andreas Laszlo Konrath.

Frances Stark, Photo: Cynthia Perez.

Jakob Kudsk Steensen, Photo: Bastian Thiery.

Sturtevant, Photo: Thomas Lehners.

Suzanne Treister, Photo: Claudia Marcelloni.

Theo Triantafyllidis, Photo: Courtesy of the artist.

Angela Washko, Photo: Gray Schwartzel.

Clockwise from top left: Arthur Jafa, photo: Robert Hamacher. Courtesy the artist and Gladstone Gallery, New York and Brussels; Udo Kittelmann, photo: Juliane Eirich; Meriem Bennani, photo: Sunny Shokrae; Andrea Lissoni, photo: Max Geuter; Chrissie Iles

Meriem Bennani, photo: Sunny Shokrae

Chrissie Iles

Arthur Jafa, photo: Robert Hamacher. Courtesy of the artist and Gladstone Gallery, New York.

Udo Kittelmann, photo: Juliane Eirich

Andrea Lissoni, photo: Max Geuter

JSC Düsseldorf, Research Center. Photo: Şirin Şimşek.

JSC Düsseldorf, Reference Library of the Research Center. Photo: Şirin Şimşek.

Media Art Collection of Julia Stoschek online

Peter Fischli & David Weiss, Büsi, 2001, video, 6′30″, color, no sound. Video still. Courtesy of the artists.

Tobias Zielony, Maskirovka, 2017, HD video, stop motion, 8′46″, color, no sound. Video still. Courtesy of the artist and KOW, Berlin/Madrid.

Lutz Mommartz, Soziale Plastik, 1969, 16mm film transferred to video, 11′41″, b/w, no sound. Video still. Courtesy of the artist.

Barbara Hammer, X, 1975, 16mm film transferred to video, 7′04″, color, sound. Video still. Courtesy of the Estate of Barbara Hammer and KOW, Berlin/Madrid.

Jen DeNike, Girls like me, 2006, video, 6′, color, sound. Video still. Courtesy of the artist and Anat Ebgi Gallery, Los Angeles.

Wolfgang Tillmans, Heartbeat/Armpit, 2003, video, 2′27″, color, sound. Video still. Courtesy of the artist.

Nathalie Djurberg & Hans Berg, It’s the Mother, 2008, video, 6′, color, sound. Video still. Courtesy of the artists and Gió Marconi, Milan.

Julia Stoschek, Photo: Gordon Welters.

Julia Stoschek, Photo: Gordon Welters.

Julia Stoschek, Photo: Şirin Şimşek. [CC BY-NC-ND]

Julia Stoschek, Photo: Şirin Şimşek. [CC BY-NC-ND]

Julia Stoschek, Photo: Peter Rigaud. [CC BY-NC-ND]

Julia Stoschek, Photo: Peter Rigaud. [CC BY-NC-ND]

Julia Stoschek, Photo: Peter Rigaud. [CC BY-NC-ND]

Installation view, GENERATION LOSS, JSC Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

JSC Düsseldorf, building (outside). Photo: Simon Vogel, Cologne.

JSC Düsseldorf, building (outside). Photo: © Ulrich Schwarz, Berlin.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

JSC Düsseldorf, foyer, first floor. Photo: Şirin Şimşek, Cologne.

Julia Stoschek Foundation Berlin, Photo: Robert Hamacher

Julia Stoschek Foundation Berlin, Photo: Robert Hamacher

JSF Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSF Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSF Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSF Berlin, foyer, first floor. Photo: Robert Hamacher, Berlin.