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Welcome to our press section. Please find here all information and material on the JULIA STOSCHEK FOUNDATION exhibitions and events, as well as images for download in print quality. All reproductions offered as downloads are under copyright and are solely to be used for current reporting about the program. If you have any questions or require additional material, please contact us directly: [email protected]

SHIFTING: AN EXHIBITION AT THE DÜSSELDORFER SCHAUSPIELHAUS

JSF DÜSSELDORF CLOSED FOR RENOVATION

LISA LONG DEPARTS FROM JSF TO START CURATORIAL AGENCY

FILMUNIVERSITÄT BABELSBERG KONRAD WOLF X JSF (GERMAN ONLY)

AFTER IMAGES

DOUBLE FEATURE: THEODOULOS POLYVIOU

WORKSHOPS FOR CHILDREN AND TEENAGER (GERMAN ONLY)

LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?

DIGITAL DIARIES

CURATORIAL & RESEARCH RESIDENCY PROGRAM 2024/25: LOU VON DER HEYDE

JULIA STOSCHEK PRESENTS HER MEDIA ART COLLECTION ONLINE

SHIFTING

Emma Rosenzweig, Underneath the Bridge, 2024, 16mm film, transferred to video, 20′, color, sound.

Eli Coplan, Event Current, 2024, installation; television, polarizing foil, 64,7 × 112 × 6 cm (television), 63 × 99.1 cm (polarizing foil).

Klein, PSALM’S TRUST, 2024, two-channel video installation, 60′, color, sound.

Lila-Zoé Krauß, [After her Destruction], 2023, two-channel video installation, 48′, color, sound.

PRICE, A Repressed Repertoire (sequences), 2024, video, 40′, color, sound.

Tarren Johnson & Joel Cocks, Dripfeed Episode 6: Succubus, 2025, video, 15′, color, sound.

Wael Shawky, Cabaret Crusades: The Path to Cairo, 2012, video, 61′, color, sound.

Christelle Oyiri, HYPERFATE, 2022, video, 13′, color, sound.

Architecture JSF Düsseldorf

Renovation JSF Düsseldorf, Rendering, Büro Kuehn Malvezzi.

Julia Stoschek Foundation Düsseldorf, Photo: Ulrich Schwarz.

Installation view, GENERATION LOSS, JSF Düsseldorf, first floor. Photo: Simon Vogel, Cologne.

Julia Stoschek Foundation Düsseldorf. Photo: Ulrich Schwarz

Julia Stoschek Foundation Düsseldorf. Photo: Ulrich Schwarz.

Julia Stoschek Foundation Düsseldorf, Erdgeschoss. Photo: Şirin Şimşek, Cologne.

Julia Stoschek Foundation Düsseldorf, first floor. Photo: Şirin Şimşek, Cologne.

LISA LONG

Lisa Long, photo by Diana Pfammatter

AFTER IMAGES

Giovanna Repetto, Untitled (closed in 2024), 2024, sculpture; handle mirror, permanent marker, 24.5 x 9.5 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Left: Jesse Stecklow, From Ear to Ear, 2024, installation; fossilized whale’s inner ear bones, bone conduction headset, paper, MDF, sound, 33 x 45,7 x 8,3 cm. Right: Jesse Stecklow, Untitled (Air Sampler), 2022, installation; powder-coated aluminum, steel, piano hinges, magnets, hardware, Carbograph 5 air sampler, 76.2 x 45.7 x 5.1 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Jo Baer, Untitled, 1966-1974, diptych; oil on canvas, each 152,4 × 109,2 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Carsten Nicolai, telefunken anti, 2004, installation; CD-Player, CD, LCD Televisions, two parts. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Chaveli Sifre, Adonia, 2024, installation; glass, text, light, camphor, four parts, dimensions variable. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Left: Ghislaine Leung, Monitors, 2022, Score: A baby monitor installed in one room and broadcast to another. Right: Ghislaine Leung, Fountains, 2022, Score: A fountain installed in the exhibition space to cancel sound. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Giovanna Repetto, Untitled (closed in 2024), 2024, sculpture; mirror, permanent marker, 126.5 x 66.5 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Lotus L. Kang, In Cascades, 2024, installation, dimensions variable. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Paul Chan, Too Phantasia 4, 2024, sculpture; fans, synthetic and natural fabrics, metal, cords, shoes, concrete, 203.2 x 304.8 x 213.4 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Rosa Barba, One Way Out, 2009, installation; 16 mm film, optical sound, projector, ventilator, tube. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

LABOUR, Tower of Silence, 2024, mixed media installation; sculpture, sound, seating, 333.42 x 120.73 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

LABOUR, Tower of Silence, 2024, mixed media installation; sculpture, sound, seating, 333.42 x 120.73 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

David Medalla, Cloud Canyons,1963/2018, Sculpture; metal, acrylic glass, compressors, timers, water, soap, Ø 200 cm x 42 cm (base), Ø 42 cm x 200 cm (acrylic glass tubes). Installation view, AFTER IMAGES, JSF Berlin. Photo: Alwin Lay.

Left: Lotus L. Kang, In Cascades, 2024, installation, dimensions variable. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Left: Lotus L. Kang, In Cascades, 2024, installation, dimensions variable. Right: Theresa Baumgartner, Waiting for the Engineer, 2024, light installation, dimensions variable. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Lotus L. Kang, In Cascades, 2024, installation, dimensions variable. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Theresa Baumgartner, Waiting for the Engineer, 2024, light installation, dimensions variable. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Jo Baer, Untitled, 1966-1974, Diptych; oil on canvas, each 152,4 × 109,2 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Giovanna Repetto, Untitled (closed in 2024), 2024, sculpture; mirror, permanent marker, 126.5 x 66.5 cm. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Ghislaine Leung, Monitors, 2022, Score: A baby monitor installed in one room and broadcast to another. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Carsten Nicolai, telefunken anti, 2004, installation; CD-Player, CD, LCD Televisions, two parts. Installation view, AFTER IMAGES, JSF Berlin. Photo: Robert Hamacher.

Key Visual After Images

Key Visual After Images

Key Visual After Images

LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation, 74′, color, sound. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation, 74′, color, sound. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation, 74′, color, sound. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation, 74′, color, sound. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, Are Our Eyes Targets?, 1984, Digital print of a video still from the interactive videodisk installation Deep Contact, 1984–89, 102 x 152 cm. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, Shadow Stalker, 2018–21, video, 10′, color, sound. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, Seduction of a Cyborg, 1994, video, 7′, color, sound. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, Paranoid, 1968–2022, mixed-media sculpture; wax cast of artist, glass eyes, synthetic hair, makeup, acrylic, sound, 25.4 x 42 x 42 cm, part of Breathing Machines, 1965–2022. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, CybeRoberta, 1996, mixed-media installation; custom-made doll, textile, glasses, webcam, surveillance camera, mirror, original programming, telerobotic head-rotating system, approximately 45 x 45 x 20 cm. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, CybeRoberta, 1996. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, Reach, 1986, photograph; gelatin silver print, 80 x 61 cm, part of Phantom Limbs, 1985–90. Installation view, LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS?, JSF Düsseldorf. Photo: Alwin Lay.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation , 74′, color, sound. Video still. Courtesy of the artist and Anglim Gilbert Gallery, San Francisco.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation , 74′, color, sound. Video still. Courtesy of the artist and Anglim Gilbert Gallery, San Francisco.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation , 74′, color, sound. Video still. Courtesy of the artist and Anglim Gilbert Gallery, San Francisco.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation , 74′, color, sound. Video still. Courtesy of the artist and Anglim Gilbert Gallery, San Francisco.

Lynn Hershman Leeson, The Electronic Diaries of Lynn Hershman Leeson 1984–2019, 1984–2019, six-channel video installation , 74′, color, sound. Video still. Courtesy of the artist and Anglim Gilbert Gallery, San Francisco.

Lynn Hershman Leeson, Reach, 1986, photograph; gelatin silver print, 80 x 61 cm, part of Phantom Limbs, 1985–90.

Lynn Hershman Leeson, Camerawoman, 1990, photograph; digital print, 76.2 x 101.6 cm, part of Phantom Limbs, 1985–1990. Courtesy of the artist, Bridget Donahue and Altman Siegel.

Lynn Hershman Leeson, Shadow Stalker, 2018-2021, video, 10′, color, sound. Video still. Courtesy of the artist, Bridget Donahue and Altman Siegel.

Lynn Hershman Leeson, CyberRoberta, 1996, mixed-media installation; custom-made doll, textile, glasses, webcam, surveillance camera, mirror, original programming, and telerobotic head-rotating system, approximately 45 x 45 x 20 cm. Courtesy of Hess Art Collection GmbH, Bolligen, Switzerland.

Lynn Hershman Leeson, Paranoid, 1968-2022, mixed-media sculpture; wax cast of artist, glass eyes, synthetic hair, makeup, sound, acrylic, sound, 25.4 x 42 x 42 cm, part of Breathing Machines, 1965-2022. Courtesy of the artist, Bridget Donahue and Altman Siegel.

DIGITAL DIARIES

Alex Ayed, Untitled (poems), 2023. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Wolfgang Tillmans, LA still life, 2001. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Hannah Perry, SPLIT SECOND, 2015. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Jota Mombaça, What Has No Space is Everywhere, 2020-21. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Left: Sophie Calle, Double Blind, 1992. Right: Hannah Wilke, Intercourse with …, 1977. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Frances Stark, Nothing is enough, 2012. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Left: Kristin Lucas, Host, 1997. Right: Martine Syms, S(t)even or Act II, 2023. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Left: Martine Syms, S(t)even or Act II, 2023. Right: Frances Stark, Nothing is enough, 2012. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Rindon Johnson, I First you (11/11), 2018. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Tromarama, Deep Pressure, 2023. Installation view, DIGITAL DIARIES, JSF Düsseldorf. Photo: Alwin Lay.

Wolfgang Tillmans, LA still life, 2001, photograph; unframed inkjet print on paper, 138 × 208 cm. Courtesy of the artist and Galerie Buchholz, Berlin/Cologne.

Hannah Perry, What are you thinking about, 2015, HD video, 1′34′′, color, sound, part of Hannah Perry, SPLIT SECOND, 2015. Courtesy of the artist and Daata, London.

Hannah Perry, aahhhhhh, 2015, HD video, 1′18′′, color, sound, part of Hannah Perry, SPLIT SECOND, 2015. Courtesy of the artist and Daata, London.

Jota Mombaça, What Has No Space is Everywhere, 2021, video, 10′19′′, color, sound. Video still. Courtesy of the artist.

Jota Mombaça, What Has No Space is Everywhere, 2021, video, 10′19′′, color, sound. Video still. Courtesy of the artist.

Sophie Calle, Double Blind, 1992, video, 65′58″, color, sound. Video still. Courtesy of the artist and Electronic Arts Intermix, New York.

Sarah Lucas, Selfish In Bed II, 2000, photograph; digital print, 122 × 122 cm. Courtesy of the artist and Sadie Coles HQ, London.

Frances Stark, Nothing is enough, 2012, HD video, 14′, b/w, sound. Installation view, NUMBER SEVEN: ED ATKINS/FRANCES STARK, JSC Düsseldorf. Photo: Simon Vogel, Cologne. Courtesy of the artist and JULIA STOSCHEK FOUNDATION.

Rindon Johnson, I First you (11/11), 2018, HD video, 5′28″, color, sound. Video still. Courtesy of the artist and Electronic Arts Intermix, New York.

Kristin Lucas, Host, 1997, video, 7′36″, color, sound. Video still. Courtesy of the artist and Electronic Arts Intermix, New York.

Martine Syms, Ate or Act III, 2023, sculpture; custom frame, 101 x 101 x 30 cm, video, 4′52′′, colour, sound. Installation view „Martine Syms – Present Goo“, Sadie Coles HQ, London. Photo: Katie Morrison, © Martine Syms, 2023. Courtesy of the artist and Sadie Coles HQ, London.

Martine Syms, S(t)even or Act II, 2023, sculpture; custom frame, 131 x 131 x 31 cm, video, 2′52′′, colour, sound. Installation view „Martine Syms – Present Goo“, Sadie Coles HQ, London. Photo: Katie Morrison, © Martine Syms, 2023. Courtesy of the artist and Sadie Coles HQ, London.

Tromarama, Deep Pressure, 2023, sculpture; Thera cane, monitors, dimensions variable. Courtesy of the artists and DOCUMENT, Chicago.

DOUBLE FEATURE: THEODOULOS POLYVIOU

Left: Theodoulos Polyviou, Open Broadsheet, 2024. Right: Theodoulos Polyviou, Temporary paschal stand, 2024. Installation view, DOUBLE FEATURE: THEODOULOS POLYVIOU, JSF Düsseldorf. Photo: Alwin Lay.

Theodoulos Polyviou, A Palace in Exile, 2024. Installation view, DOUBLE FEATURE: THEODOULOS POLYVIOU, JSF Düsseldorf. Photo: Alwin Lay.

Installation view, DOUBLE FEATURE: THEODOULOS POLYVIOU, JSF Düsseldorf. Photo: Alwin Lay.

Installation view, DOUBLE FEATURE: THEODOULOS POLYVIOU, JSF Berlin. Photo: Alwin Lay.

Theodoulos Polyviou, A Palace in Exile, 2024. Installation view, DOUBLE FEATURE: THEODOULOS POLYVIOU, JSF Berlin. Photo: Alwin Lay.

Installation view, DOUBLE FEATURE: THEODOULOS POLYVIOU, JSF Berlin. Photo: Alwin Lay.

Installation view, DOUBLE FEATURE: THEODOULOS POLYVIOU, JSF Berlin. Photo: Robert Hamacher.

Theodoulos Polyviou, A Palace in Exile (Part 3 of Transmundane Economies, 2022–ongoing), 2024, video, 16′30″, color, sound. Video still.

Theodoulos Polyviou, A Palace in Exile (Part 3 of Transmundane Economies, 2022–ongoing), 2024, video, 16′30″, color, sound. Video still.

Theodoulos Polyviou, A Palace in Exile (Part 3 of Transmundane Economies, 2022–ongoing), 2024, video, 16′30″, color, sound. Video still.

Theodoulos Polyviou, A Palace in Exile (Part 3 of Transmundane Economies, 2022–ongoing), 2024, video, 16′30″, color, sound. Video still.

Theodoulos Polyviou, A Palace in Exile (Part 3 of Transmundane Economies, 2022–ongoing), 2024, video, 16′30″, color, sound. Video still.

Theodoulos Polyviou, A Palace in Exile (Part 3 of Transmundane Economies, 2022–ongoing), 2024, video, 16′30″, color, sound. Video still.

JSF Research Room

JSC Düsseldorf, Research Center. Photo: Şirin Şimşek.

JSC Düsseldorf, Reference Library of the Research Center. Photo: Şirin Şimşek.

Julia Stoschek

Julia Stoschek, Photo: Gordon Welters.

Julia Stoschek, Photo: Gordon Welters.

Julia Stoschek, Photo: Şirin Şimşek. [CC BY-NC-ND]

Julia Stoschek, Photo: Şirin Şimşek. [CC BY-NC-ND]

Julia Stoschek, Photo: Peter Rigaud. [CC BY-NC-ND]

Architecture JSF Berlin

Julia Stoschek Foundation Berlin. Photo: Robert Hamacher.

Julia Stoschek Foundation Berlin. Photo: Robert Hamacher.

JSF Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSF Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSF Berlin, foyer, ground floor. Photo: Robert Hamacher, Berlin.

JSF Berlin, foyer, first floor. Photo: Robert Hamacher, Berlin.

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